At its core, “P.O.” explores choice and consequence, peeling back layers of the past to reveal how even the smallest, best-intended decisions ripple across time. Set against the backdrop of organized crime vs.law enforcement, the piece examines the tension between loyalty and justice, family and identity, and the uneasy balance between duty and personal history. 

Luisa, a 28-year-old FBI agent, straddles two worlds: the legacy of her mob-connected family and the rigid expectations of federal law enforcement. Her investigation into a modern-day corruption case forces her to confront a plethora of other buried mysteries, not to exclude her mother’s unsolved murder from over a decade ago. The deeper she digs, the more the lines blur between right and wrong, truth and omission (and assumption), law and criminality.

The narrative is shaped by nonlinear storytelling, weaving together two different timelines, sort of like parallel narratives— the past, which depicts everything from Luisa’s familial mob origins to coveted childhood vacations, and the present, where Luisa is unraveling decades’ worth of secrets, loyalties, and betrayals, and navigating the fine line between keeping her alias safe, and her family alive.